All Julius Schnorr von Carolsfeld Oil Paintings

1794-1872
 
       VORHERIGE  1  2  3   NÄCHSTE
  VORHERIGER KÜNSTLER       NÄCHSTER KÜNSTLER     
 
Julius Schnorr von Carolsfeld The View of the Archpriest in oil painting


The View of the Archpriest in
Gemälde IDENTIFIZIERUNG::  62456 		The View of the Archpriest in
230 x 305 mm Albertinum, Dresden Schnorr was considered the best draughtsman of the Brotherhood of St. Luke. Like no other artist, he knew how to exploit the potential of the sepia technique. He drew in pen over pencil before applying wash with a brush. His works are characterized by dark and illuminated sections, dynamic sketching within the contours of objects and gently curving contours of line, as in this picture. Author: SCHNORR VON CAROLSFELD, Julius Title: The View of the Archpriest in Olevano Form: graphics , 1801-1850 , German , landscape
230 x 305 mm Albertinum, Dresden Schnorr was considered the best draughtsman of the Brotherhood of St. Luke. Like no other artist, he knew how to exploit the potential of the sepia technique. He drew in pen over pencil before applying wash with a brush. His works are characterized by dark and illuminated sections, dynamic sketching within the contours of objects and gently curving contours of line, as in this picture. Author: SCHNORR VON CAROLSFELD, Julius Title: The View of the Archpriest in Olevano Form: graphics , 1801-1850 , German , landscape
   
   
     
Julius Schnorr von Carolsfeld Madonna and Child oil painting


Madonna and Child
Gemälde IDENTIFIZIERUNG::  62558 		Madonna and Child
74 x 62 cm Wallraf-Richartz Museum, Cologne The experience of Italy was not only decisive for the majority of German landscape artists of the nineteenth century but also for figurative painting, secular as well as sacred. In 1818 Julius Schnorr von Carolsfeld moved to Rome from his home town of Leipzig. There he joined the Lukas-Bund (Guild of St Luke), an artists' group originally set up by Friedrich Overbeck and Franz Pforr in Vienna in opposition to the academy there. After Overbeck and Pforr had moved to Rome the Lukas-Bund exercised great influence (though Pforr died in 1812), and not only on the German artists in Rome. The members of the group, called the 'Nazarenes' after their long hair like Christ's, wanted to return to what they saw as the simple truth and piety of Derer and the early Italian Renaissance. They tried in their work to employ the forms, style and colour of the Old Masters. The composition and clear luminous colour of the Madonna and Child illustrates Schnorr's intensive, creative relationship with the Italian Renaissance. Artist: SCHNORR VON CAROLSFELD, Julius Title: Madonna and Child , painting Date: 1801-1850 German : religious
74 x 62 cm Wallraf-Richartz Museum, Cologne The experience of Italy was not only decisive for the majority of German landscape artists of the nineteenth century but also for figurative painting, secular as well as sacred. In 1818 Julius Schnorr von Carolsfeld moved to Rome from his home town of Leipzig. There he joined the Lukas-Bund (Guild of St Luke), an artists' group originally set up by Friedrich Overbeck and Franz Pforr in Vienna in opposition to the academy there. After Overbeck and Pforr had moved to Rome the Lukas-Bund exercised great influence (though Pforr died in 1812), and not only on the German artists in Rome. The members of the group, called the 'Nazarenes' after their long hair like Christ's, wanted to return to what they saw as the simple truth and piety of Derer and the early Italian Renaissance. They tried in their work to employ the forms, style and colour of the Old Masters. The composition and clear luminous colour of the Madonna and Child illustrates Schnorr's intensive, creative relationship with the Italian Renaissance. Artist: SCHNORR VON CAROLSFELD, Julius Title: Madonna and Child , painting Date: 1801-1850 German : religious
   
   
     
Julius Schnorr von Carolsfeld Die Hochzeit zu Kana oil painting


Die Hochzeit zu Kana
Gemälde IDENTIFIZIERUNG::  70542 		Die Hochzeit zu Kana
Medium Oil on canvas Dimensions Deutsch: 138,5 ?? 208 cm
Medium Oil on canvas Dimensions Deutsch: 138,5 ?? 208 cm
   
   
     
Julius Schnorr von Carolsfeld Clara Bianca von Quandt oil painting


Clara Bianca von Quandt
Gemälde IDENTIFIZIERUNG::  80290 		Clara Bianca von Quandt
1820(1820) Medium Oil on panel cyf
1820(1820) Medium Oil on panel cyf
   
   
     
Julius Schnorr von Carolsfeld Ruth in Boazs Field oil painting


Ruth in Boazs Field
Gemälde IDENTIFIZIERUNG::  87040 		Ruth in Boazs Field
1828(1828) Medium Oil on canvas Dimensions 59 x 70 cm (23.2 x 27.6 in) cyf
1828(1828) Medium Oil on canvas Dimensions 59 x 70 cm (23.2 x 27.6 in) cyf
   
   
     
       VORHERIGE  1  3   NÄCHSTE
VORHERIGER KÜNSTLER       NÄCHSTER KÜNSTLER     
     Julius Schnorr von Carolsfeld
     1794-1872

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